This month, we’re going to have an elaborate run of looks at the best of 2012 and what we’re excited about for 2013. To kick that all off, we’ll have a week of some of our favorite creators sharing their thoughts on the year to date as well as what they’re looking forward to in 2013.
Today, we asked a simple question: “What artist(s) continued to impress you above the rest?” Here are the creators’ thoughts, and look for more tomorrow.
Ed Brisson (Comeback)
All of the artists I’ve had the chance to work with over the past year, of course. Michael Walsh, Eric Z, Jason Copland, Johnnie Christmas. All top notch dudes!
Ales Kot (Change, Wild Children)
Brandon Graham.
Ron Wimberly.
Michael DeForge.
Chris Burnham.
Frazer Irving.
Howard Chaykin.
Ramon Perez.
David Aja.
Sean Murphy.
JH Williams III.
Aaron Kuder.
Nathan Fox.
Emma Rios.
James Harren.
Jacen Burrows.
Chris Ware.
Langdon Foss.
Mateus Santolouco.
Goran Parlov.
Tradd Moore.
Gabriel Ba, Cris Peter and Dustin Harbin on Casanova – I’m naming the artist, colorist and letterer because theyfeel like one team to me.
Tyler Crook.
Tom Scioli.
Mike Huddleston.
Cameron Stewart.
Fiona Staples.
Connor Willumsen.
Tonci Zonjic.
Nick Dragotta.
Nick Pitarra.
James Stokoe.
Giannis Milogiannis.
Farel Dalrymple.
Becky Cloonan.
Kristian Donaldson.
I could go on and on.
Also, this was the year when the great Moebius embarked on his next journey. Rest in peace, master.
Brandon Graham (Prophet, Multiple Warheads)
Carla Speed McNeil’s stuff on Finder is soo good. The French artist Boulet whose web site I look at a lot.
Matt Kindt (Mind MGMT)
Brian Hurtt — honestly, the time and thought he puts into his layouts and the storytelling are a wonder to behold. It’s that kind of art that just seems deceptive — you don’t realize why it’s really working so well until you go back through and dissect it and see what he’s done with layouts. And he’s changed my mind about sound effects. SFX are awesome again.
Box Brown (The Survivalist)
Every single Michael Deforge release (and there are a lot of them) is appointment reading. Johnny Ryan’s Prison Pit series continues to be one of my favorite serialized works in print.
Jamie S. Rich (A Boy & a Girl)
Natalie Nourigat (A Boy & a Girl)
Sean Murphy is still killing it, huh? I can barely read Punk Rock Jesus because I get so held up drooling over every panel.
Continued belowTim Daniel (Enormous)
Each one of these artists have their own distinct merits but all are also consummate professionals in my view. There’s a lot that goes into making a book, as I’ve learned over the last several years, much which does not all end up on the page. There’s the work ethic, the professionalism – which means they are each consistently taking their work to new levels while beating deadlines, drawing extra pages, and juggling projects.
- Nick Pitarra – Manhattan Projects
- Riley Rossmo – Wild Children/Rebel Blood/Bedlam
- Joe Eisma – Morning Glories
- Tradd Moore – Luther Strode
- Charlie Adlard – Walking Dead
- Sara Pichelli – USM/Spider-men
- Stuart Immonen — All New X-Men
- Fiona Staples – Saga
- Greg Capullo – Batman
Kieron Gillen (Iron Man, Young Avengers)
Dustin Weaver’s Uncanny 14 broke my heart because he was so good. I’m going to garotte Hickman at the next marvel retreat to see if I can steal him from his corpse.
And McKelvie’s pages for Young Avengers. Yes, I’m plugging, and I don’t care. He’s going to be unbearable when it drops.
Rob Williams (Ghost Rider)
James Harren. I can’t remember the last time I camre across an artist’s work and, within a few pages, it made me go ‘who the hell is THIS guy?’. Just hugely exciting. As I said, BPRD: The Long Death was just a slap across the face. Great emotional gut punch script and Harren just landing as a major talent. It’s not just how visceral and striking his imagery is, his storytelling is absolutely wonderful. Just makes amazing narrative choices, wonderful angles. His Conan arc was great too but if you’re going to buy one GN, pick up The Long Death. I think Harren’s going to be a major force in the industry in years to come.
Honorable mention too for Judge Dredd’s Henry Flint. The story currently running in 200AD, Cold Deck, is just masterful storytelling. The US market doesn’t know Henry’s work that well but he’s a bit of a genius. Does the widescreen, mad-tech brilliantly but also the storytelling subtleties are there.
I’ve been enjoying Punk Rock Jesus too. Sean Murphy’s an exciting talent.
Joe Eisma (Morning Glories)
Nick Pitarra, Tradd Moore, Charles Paul Wilson III.
Shane Houghton (Reed Gunther)
I read James Stokoe’s Orc Stain this year and absolutely loved it. I’m pumped to get my copy of Sullivan’s Sluggers for their Kickstarter campaign.
Chris Houghton (Reed Gunther)
Everything Jordi Bernet does impresses me to no end. I also first saw the work of Denis Bodart this year, which is absolutely amazing.
Brandon Seifert (Witch Doctor, Hellraiser)
Above the rest? Geof Darrow. I picked up the Shaolin Cowboy issues recently. Good god. I haven’t actually read them yet, just flipped through and absorbed the art. Crazy, brilliant stuff.
Marc Lombardi (Shadowline/Grayhaven Comics)
Fiona Staples and Terry Moore as previously mentioned are both simply wonderful. I also wish that Joe Eisma (Morning Glories) was a bigger name in the industry. Tradd Moore’s work on the Luther Strode books is mindblowing. And Colin Lorimer has been really opening my eyes with Harvest. Some other folks deserving of mention are Rahsan Ekedal (Think Tank), Cliff Chiang (Wonder Woman) and Sara Pichelli (Ultimate Comics Spider-Man).
Paul Allor (Orc Girl, TMNT: Fugitoid)
Man, so many. Nick Pitarra, Giannis Milonogiannis, James Stokoe, Natalie Nourigat, Faith Erin Hicks, Dave Wachter, Gannon Beck, Ben Dewey and Ryan Browne, to name a few.