George Pérez, I’ve always felt, is the John Romita Jr. of DC, even though he did plenty of work at Marvel. What I mean by that is this: his style, for a time, fit the DC aesthetic to an absolute tee. For the five or six years directly surrounding “Crisis on Infinite Earths,” Pérez was the definition of the DC style, and he handled some of their best known properties during particularly great runs, most especially his work on “New Teen Titans.” Below, we showcase just some of his work, in particular the work he has done with teams and large events – to this day, no one can draw a giant splash page like Pérez.
A poster for “Crisis on Infinite Earths.”
An uncolored page from “Fantastic Four” #192.
A splash page from “New Teen Titans: The Judas Contract.”
An Avengers poster.
A pin-up from an issue of “Justice League of America” of the team with their ancestral relatives, the Justice Society.
A Superman sketch.
The greatest multi-publisher crossover in comics history, “JLA/Avengers.”
A panel from “The Infinity Gauntlet” #1.
The cover to “The Defenders” #51.
The cover to “Wonder Woman (Volume 2)” #1.
